![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
I know, four posts in one week!
I got together with some of my fellow gamers last weekend and we spent a couple of afternoons painting up our Pathfinder figures. It's been a while since I did any painting, so I'm a bit rusty; we had to throw out a lot of paints/glues/etc. Some pics of mine:
This is Nura, freshly undercoated. You can read more of her adventures here. In-game Nura has just hit level 3 and is pretty much broke, having blown most of her money buying spells from kobolds, but this version has a bigger wardrobe budget.
I picked this figure mostly because the clothes were a bit more interesting than what I normally see on female caster figures, which is either "generic robes" or "as little as possible". Perhaps not the most practical for tromping around dungeons, but Nura has magical cleaning spells and strong friends to do the heavy lifting.
Figure cleaned up and undercoated:
Base colours on:
(Looking back at the photo on the Reaper catalogue, apart from being consumed with envy for anybody who can paint that sort of detail on a 30mm figure, I note that I've interpreted her clothes a bit differently, as far as which bits are outer vs under layers etc. Oh well.)
Just after inking her skin:
seriously, the main thing I have learned in my time painting figures is INK ALL THE THINGS THEN INK THEM SOME MORE. I have no patience for painstaking highlighting; the right ink can really bring out details very quickly. At least, as long as the sculptor has done a good job in the first place; if the shape is bad, ink will emphasise that too.
Nura's dress, after highlighting/drybrushing:
...okay, so I'm not completely against highlighting, there's a time and a place for it, and the drape-y dress was a big part of why I bought this figure in the first place so it makes sense to put in some effort here.
The violet-magenta contrast is a bit stronger than I'd normally do for highlighting, but in this case I figure she's wearing something like shot silk. I realised halfway through painting that I didn't have any light blues to highlight the blue portion, so instead I mixed one of the darker ones with yellow for the green highlight you can see here; again, call it shot silk or mageweave or whatever.
Front-on, mostly finished:
And after doing the eyes. Usually I'd ink, then paint the sclera white, then dot the pupils with a felt-tip; this is really fiddly and often requires doing over and over. This time around, the ink gave enough contrast between her eyes and the shaded surrounds that I was able to skip the middle step and go straight to the dotting.
There are a few bits I want to touch up before I varnish, but I'm pretty pleased with how it's coming along so far.
I got together with some of my fellow gamers last weekend and we spent a couple of afternoons painting up our Pathfinder figures. It's been a while since I did any painting, so I'm a bit rusty; we had to throw out a lot of paints/glues/etc. Some pics of mine:
This is Nura, freshly undercoated. You can read more of her adventures here. In-game Nura has just hit level 3 and is pretty much broke, having blown most of her money buying spells from kobolds, but this version has a bigger wardrobe budget.
I picked this figure mostly because the clothes were a bit more interesting than what I normally see on female caster figures, which is either "generic robes" or "as little as possible". Perhaps not the most practical for tromping around dungeons, but Nura has magical cleaning spells and strong friends to do the heavy lifting.
Figure cleaned up and undercoated:
Base colours on:
(Looking back at the photo on the Reaper catalogue, apart from being consumed with envy for anybody who can paint that sort of detail on a 30mm figure, I note that I've interpreted her clothes a bit differently, as far as which bits are outer vs under layers etc. Oh well.)
Just after inking her skin:
seriously, the main thing I have learned in my time painting figures is INK ALL THE THINGS THEN INK THEM SOME MORE. I have no patience for painstaking highlighting; the right ink can really bring out details very quickly. At least, as long as the sculptor has done a good job in the first place; if the shape is bad, ink will emphasise that too.
Nura's dress, after highlighting/drybrushing:
...okay, so I'm not completely against highlighting, there's a time and a place for it, and the drape-y dress was a big part of why I bought this figure in the first place so it makes sense to put in some effort here.
The violet-magenta contrast is a bit stronger than I'd normally do for highlighting, but in this case I figure she's wearing something like shot silk. I realised halfway through painting that I didn't have any light blues to highlight the blue portion, so instead I mixed one of the darker ones with yellow for the green highlight you can see here; again, call it shot silk or mageweave or whatever.
Front-on, mostly finished:
And after doing the eyes. Usually I'd ink, then paint the sclera white, then dot the pupils with a felt-tip; this is really fiddly and often requires doing over and over. This time around, the ink gave enough contrast between her eyes and the shaded surrounds that I was able to skip the middle step and go straight to the dotting.
There are a few bits I want to touch up before I varnish, but I'm pretty pleased with how it's coming along so far.
