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Note: this chapter is very NSFW! My apologies for the rather abrupt end to this rather short chapter. I’m still working on getting myself back into a regular writing groove, and for that I’m going to skip another week, so the second half of this scene will be posted on Sunday, August 3rd. Thank you so much for reading, and for your patience!

Read more... )
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Four works new to me. three novels, one TTRPG supplement. Two appear to be fantasy, one SF, and one is a mystery (by an author famous for their fantasy). Two appear to be stand-alone and two are series.

Books Received, July 12 — July 19



Poll #33375 Books Received, July 12 — July 19
Open to: Registered Users, detailed results viewable to: All, participants: 36


Which of these look interesting?

View Answers

The Bloody and the Damned by Becca Coffindaffer (April 2026)
11 (30.6%)

Warhammer Fantasy Roleplay: Sea Wardens of Cothique by Dave Allen, Dominic McDowall, Michael Duxbury, Jude Hornborg, Naomi Hunter, Steven Lewis, Simon Wileman, et al (4th Quarter, 2025)
1 (2.8%)

Boy, With Accidental Dinosaur by Ian McDonald (February 2026)
16 (44.4%)

Enola Holmes and the Clanging Coffin by Nancy Springer (February 2026)
11 (30.6%)

Some other option (see comments)
0 (0.0%)

Cats!
26 (72.2%)

Oh Mr. Colbert ....

Jul. 19th, 2025 08:33 am
malada: Canadian flag text I stand with Canada (Default)
[personal profile] malada
Dear Mr. Colbert,

I've heard you're being canceled next May. That's a shame. May I suggest approaching a more... understanding network to continue your fine show.

PBS.

Oh, you may not get a great time slot and they'll pay you in tote bags and coffee mugs (and maybe some sweet Masterpiece DVDs) but you'll be free to do what you do best:

Sticking it to the Man.

Without commercial interruptions.

Just a thought.

Europe 2025 Trip Report Part 4

Jul. 19th, 2025 01:39 am
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[personal profile] bunnyhugger
I set an alarm and got up in the morning just in time for us to quickly get presentable and go to the breakfast we'd paid for. The breakfast was laid out in a room that was the center of the historic mill, and a piece of glass had been laid into the floor to allow you to look down and see the original gears and workings. The breakfast was excellent, with a machine that offered a good selection of coffees and made them well, and lots of cheeses (common for breakfast in Europe), jams, pastries, and my favorite staple of French hotel breakfasts, crepes. I'm actually not a big fan of soft cheese but I felt I had to try the Brie as it was the freshest and softest I think I've ever seen. Joseph loved it. I appreciated it but concluded that I am still not that into Brie. After we ate we returned to the room, as there was nothing else we could do. I had determined that there was nowhere we could go on foot. The only transportation was a bus that went to Bar-sur-Aube once a day.

Although breakfast helped a little, I was still bitterly disappointed, angry at myself, and convinced that the hotel clerk had been messing with us by refusing to give us the wifi password the previous night. I ranted to Joseph that between all the mishaps we'd had (including one I didn't bother to recount involving a nightmarish situation that had ensued when we went to check our luggage at Gare de L'est) and the fact that the hotelier clearly had it in for us for being Americans, I had decided I hated France and was sorry I had ever come. I was saying things I didn't really mean but they had emotional truth in the moment.

Joseph decided he was still tired and wanted to go back to sleep, and since we had absolutely nothing to do, there was nothing to stop him. He lay back down as I stayed up and poked at the Internet using my hotspot. As time wore on my mood improved, because the room was so wonderfully quiet and sunny, and the view from the window was so nice. There was no air conditioning (there usually isn't in places I've been to in Europe) but when I opened the door onto the balcony a very pleasant breeze blew in. Everyone else in the hotel was presumably out for the day. You might wonder why anyone else was even at this hotel given that the only thing in town is Nigloland and it was closed, but I gather that it is located in a region that people visit for wine tourism as well as being near a large national forest, so with a car it must provide a good base camp for a vacation. So the hotel wasn't busy, but we weren't alone either. But during the day it was dead quiet, much quieter than my house in the city ever gets, and I found that really enjoyable.

I came to realize that the only way we were going to get to eat anything was to eat at the hotel's restaurant, which I was not planning to do as from their menu it looked fancier than I had brought clothes for and I didn't think I'd be comfortable. With no other option, I made a booking online for a table that night. Eventually I lay down for a nap myself, and slept another three hours, which felt so good I knew I quite needed it. Joseph ended up sleeping an additional six hours in total and he usually sleeps less than I do. When we were both awake again I let him know about dinner, and we decided to take a walk around the grounds outside until then.

From the balcony, I could see a path into a rambling garden, with a sign designating it the Parc du Chateau. I wondered if we were allowed to go into it, but as I said so, we saw some people who must surely be hotel guests walking that way. So we went out and walked around it for a while, and I took these photos. The path goes over and along the Landion creek, through some gardens that seem to have been partly left to their own devices. Eventually it just stops short, rudely interrupted by a fence across it, suggesting that the original property was parceled out at some point. We also looked at the village streets near the hotel a bit before returning.

At some point Joseph returned to the desk to ask again about the wifi password. He tells me that he did so using his politest partial-French: "s'il vous plaît, je voudrais le... wifi password." A different person was at the desk and she wrote it down for him. Later, we turned over our key card and discovered on the reverse it gave the wifi password. The mystery of why the clerk had been unwilling to give it to us and gave a non sequitur response is unsolved although once I wasn't quite so angry and frustrated at the entire country of France I conceded that he may well have legitimately misunderstood what we were trying to ask for.

I figured I needed to at least make an effort toward dressing respectably so I put on the outfit I was planning to present my paper in, minus the blazer: a yellow button-down shirt, a black silk scarf with daisies on it, and chinos. I looked at myself in the mirror and thought, yes, this will do. I forget what Joseph wore but it was probably the best outfit he had brought to wear to the conference reception. Fortunately, arriving at dinner I found that it was a more casual eatery than I had feared. Most people were dressed "smart casual" making my outfit just right. The host turned out to be the fellow I had thought had it in for us, but he was friendly enough now, if perhaps a little impatient at times at our bungling things like whether he was currently trying to take our drink or our food order. Still, it was nice to just sit in a nice setting and have drinks and eat. We each ordered the two-course meal off the prix-fixe menu (which amusingly was called something other than prix-fixe – I can't remember what term they used instead). If you ordered two courses you could either have appetizer and main or else main and dessert, and we both chose main and dessert. I had assumed there would be a dessert tray or something but instead a different waiter, a woman this time, came out and verbally gave me a list of desserts. I was of course totally lost so I just said I would have the "dessert du jour" as that was one of the choices. She said (in English) that it was ice cream. I thought, oh great, I'm in France and I just ordered the chump dessert, the ice cream. I was picturing the little glass of vanilla that every American restaurant offers as its dessert option for the unadventurous. Instead what came out was a big, shallow dish with a perfect sphere of ice cream in the center, covered with a sort of delicate crumb crust. It sat in a pool of delicate vanilla sauce and had stripes of tart raspberry or maybe blackberry drizzled over it. So not the ice cream I was picturing. It was great. Joseph had a cheese plate, because cheese is a dessert as well as a breakfast in France.

Afterward I went back to the room, but Joseph said he wanted to take a walk and see the town at night. When he came back he told me that as he walked the front way toward Nigloland, two different cars stopped and asked him if he needed a ride. He said that he explained to one of them that he had come to see the amusement park and found it closed, and so "I just needed to be sad about it a while." The driver commiserated but reassured him that it would be open again on Saturday. We would, of course, be long gone by then.

I went to bed feeling less angry at France and beginning, just a little, to get over the Nigloland fiasco. It had been a relaxing day and the truth is that we clearly needed the rest. We just did not need to travel all the way out to le Grand Est to get it.


The grounds of le Moulin du Landion.


The Landion and the mill.


The Landion.


Bridge over the Landion.


Walking the path through the Parc in beautiful evening light.


I think this house also has rooms in it that people can stay in. I assume it was the miller's home.


The modern wing of the hotel. My room is the one with a bath mat hung out to dry.


Path to the Parc.


Joseph in front of le Moulin.


View from our balcony. The Parc entrance is visible.


The village of Dolancourt.
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In case you've been waiting for an update for the last seven years...

Checking in on Our Old Friend, Barnard’s Star
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[personal profile] james_davis_nicoll


Terrible life choices gave Connie Lam a mountain of debt. The most recent poor decision left her as the lead suspect in a murder case.

Club Contango (Tracerverse, volume 2) by Eliane Boey

NPR/CPB?PBS - not our first rodeo

Jul. 18th, 2025 07:12 am
malada: Canadian flag text I stand with Canada (Default)
[personal profile] malada
The Corporation for Public Broadcasting was designed to insulated from political manipulation by being an independent entity and their funding approved several years in advance.

That has gone out the window.

We've been here before; budget cuts to our services over the decades have become a feature, not a bug. Expect stations to close, programming and services to be curtailed and more fundraising.

I've been in public broadcasting for 36 years and I've survived the decades of downsizing. I've heard the screams of "we've got to cut the fat!!!" and cut after cut being made until we were slicing off arms and legs. We became a skeleton crew. We rebuilt. We fought. That's what we do. That's what we will do.

But we can only do this with your financial and political support.

(Of course I had to throw in a pledge break.)

The ending song for the latest episodes of Sesame Street have the words, "You're going smarter, stronger, kinder - on Sesame Street." In a world where the Republicans want us to be dumber, sicker, meaner - we need public media more than ever.




Okay, quick break. Sure, the conservatives can't stand the children's programs because they can't sell shitty toys during the breaks and we show kids a world that isn't all white, xtianist and capitalist. What bugs the shit out of conservatives is that public broadcasting has been fact and reality based for decades. We follow the facts, not ideology. Frontline, News Hour, POV, American Experience have shown both the good and bad sides of America. Have we gotten things wrong? Lots of times. But they hate our news shows, our documentaries, our features that often portray American - and World - history in a more honest light. Did we murder and cheat the Native Americans? Yep. Base our economy and politics around slave labor while mouth "All men are created equal"? Yep. Treat Gay people like shit and demonize them for no reason? Yep. Incarcerate our own citizens and steal their property during World War 2? Yep. The list goes on and on.

Because if we don't examine our failures we will keep repeating them.

If that information makes you feel bad then *you might want to look into your own heart*. If you're all in keeping black people down, kicking gays and jailing people for their ancestry _then you should feel bad_.

Because that's not American.
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A teenager's social engineering skills are harnessed for good.

Unwillingly to Earth by Pauline Ashwell
bunnyhugger: Marker drawing of me with a neutral expression. (Default)
[personal profile] bunnyhugger
After the excitement of the museum wore off, exhaustion quickly set in. We ended up awake for nearly all of a 30 hour or so span. After taking a train and then making a connection to another train, we ended up in at a train station in the village of Bar-sur-Aube around 7 pm (or 1 pm body clock time). A few other people got off, but quickly disappeared, and we were left alone.

Town was desolate in the evening light. Every building in sight was quiet. The station building was closed, and unstaffed. And despite Joseph's reassurances to me, there were no taxis around. There was merely a sign with a list of taxi company phone numbers listed on it. I thought, this is just what I feared: we're stuck at some podunk rail station with no way to get to our hotel and neither of us speaks French. Joseph studied some in high school, but remembers almost none of it. The only real advantage he has over me in this is that he at least knows how to pronounce French words such as place names, whereas I can't even do that well enough to be comprehensible to locals. Fortunately, unlike Joseph, I had bothered to get an international calling and data plan set up on my phone before we went. I made Joseph telephone for a taxi and then sat there listening to him trying to communicate to someone what we wanted. This went so slowly I began to think things were just going to fall apart, but eventually he got off and told me they said it would be twenty minutes. Apparently they were using Google to communicate with him.

We then sat there for what felt like an excruciatingly long time, but a taxi did come. We both went to get into the back but the driver said something in French. Joseph told me he thought she was offering for one of us to sit up front, so I did. It may be that she thought I'd like to take in the view, and it was indeed rather lovely, all golden evening light across sweeping countryside and grape arbors.

When we arrived – around ten minutes' drive – she pulled out the credit card terminal and read me a price I found highly unlikely to be legitimate. I did not watch the meter, as I was so tired and discombobulated, so I don't know what she got up to, but the amount she charged me was much higher than one would expect and I pretty well knew I'd been taken. It's not the first time something like that has happened to me and I did the same as I did last time: I said "OK" and paid up and felt like I was content to pay whatever just to have it over with. She politely got our bags out and showed us where reception was for our hotel, and there we were.

I had booked us two nights at the hotel Le Moulin du Landion. The Moulin of the name is not the windmill you might be expecting, but a water-mill on the Landion creek. The historic mill and various other buildings on the rambling estate have been converted into a boutique hotel with a restaurant and spa. It's located in a village called Dolancourt, even smaller than Bar-sur-Aube, the town with the train station. In fact, as far as Google could tell me, Dolancourt only has two places to eat: Le Moulin, and the restaurants located inside Nigloland amusement park. It has no groceries or convenience stores; the closest of these are located in Bar-sur-Aube. As far as I can tell, the only two reasons to go to Dolancourt are to stay or eat at le Moulin, or to go to Nigloland.

When I had booked the trip, I wanted to stay at Nigloland's own hotel for convenience, but found that it did not seem to have a stay available for both of our intended nights, so I chose le Moulin for the fact that it seemed to be in walking distance. I was surprised by the rates there. It did not seem as expensive as I would have expected for a boutique hotel.

We checked in at the hotel's desk, which is also inside the restaurant. The clerk, who spoke some English but with a bit of hesitance, asked us if we would want breakfast or a table for dinner. I said yes to breakfast but no to dinner. We had eaten a bit at the train station, but mostly we just wanted to collapse. He gave us a key card labeled CHAMBRE 1. It turned out we were in the first of the rooms in a modern wing that had been inelegantly built out from the historic mill. I believe there are also rooms in some of the other buildings on the estate, including one that perhaps was the original home of the miller, but I assume those are the pricey rooms. Our room had a little balcony looking out onto the grounds.

At some point we had realized we did not know the password for the wifi, so we went back to the front desk and asked the person who had checked us in, "Can we please have the wifi password?" He gave the strangest answer. I am almost certain he said "No. Not in the restaurant." Joseph looked confused and didn't catch that, so he asked me what was going on. I said, "He said it isn't possible." We both made confused expressions and wandered off.

I hadn't yet taken my walk for the day (a ritual I have not missed since sometime in 2020), Joseph suggested we practice walking to the amusement park to see if it would be walkable. I had worried the roads on Google maps looked like they might not be pedestrian friendly. We began walking toward the park and noticed a rough dirt road cutting through a farm field that seemed to head toward the rides we could see in the distance, so we tried that route, though I was concerned we might actually be trespassing in a private lane. Eventually we saw a tiny little unassuming sign with an arrow pointing toward Nigloland, so it must be a possible route. That said, we later determined that taking the main paved road is more direct.

Eventually we found what we thought was likely the main entrance of Nigloland, which was a big, barred, iron gate closed over the road. From there we could not see much, just an entrance walk and some shrubs as well as a few grazing sheep. Joseph suggested I should pose for a photo in front of the gate. He said, "Do your Wally World pose." You know... referencing the end of National Lampoon's Vacation in which they arrive to find the amusement park closed. So I stood there for a photo, making an "Oh no!" gesture and a sad face. We then walked back to the hotel.

At the hotel I made a hotspot on my phone with some of my precious international data so we could use our laptops. The main thing I wanted to find out was what time Nigloland opened, so we could decide what time to set the alarm.

I was shocked by what Google told me, and I hoped it was wrong. I went to the park's Web site and checked their calendar, and had it confirmed. I sat there for a short time, afraid to speak. Then I said, "Joseph, I've made a terrible, terrible mistake..." "What?"

"Nigloland is closed tomorrow."

"Tomorrow" was a Monday. Nigloland, in early June, is only open weekends, though it would be open the following Monday for Pentecost, which might be what I had gotten confused about. I don't know. There is really no excuse for a mistake this big. I am used to American amusement parks, which by June are usually open every day, but I still should know better. First, I had hastily rearranged our first big coaster trip in 2013 the night before we left because I discovered I had planned for us to be at Waldameer on a Monday and they were closed Mondays. Second, based on our past European coaster trips, we know that they treat June as off-peak season, and tend to keep limited hours even in peak season. I should have known.

We were devastated. Nigloland was the park we most looked forward to on this trip. We had walked to the gate, and would likely never see inside it. It had been a considerable, now wasted, expense just to make our way to le Grand Est and stay two days. I proceeded to verbally beat myself up for probably an hour and a half before Joseph told me I should go to bed. I said I wouldn't be able to sleep and he said I would probably be surprised.

I did sleep rather quickly.

I'll end part 3 there and resume with our full day in Dolancourt in the next installment.



The back road to Nigloland.

Bundle of Holding: Battlezoo

Jul. 16th, 2025 02:17 pm
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The Battlezoo Bundle presents the Battlezoo line of monsters and monster hunters from Roll for Combat for D&D 5E and compatible tabletop roleplaying systems, compiled from winning designs from the annual RPG Superstars competition.

Bundle of Holding: Battlezoo
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The only fate more glorious than dying for the uncaring empire is dying over and over for the uncaring empire.

Red Sword by Bora Chung (Translated by Anton Hur)

Hate for the D.O.E? Pure racism

Jul. 16th, 2025 07:01 am
malada: Canadian flag text I stand with Canada (Default)
[personal profile] malada
Why all the hate for the Department of Education? Because it gave money for education to black people.

Oh sure, it was there to help 'lower income' people but to a conservative that meant black people. Urban people. Them people. Not clean white blond and blue eyed kids - but brown kids with kinky hair.

Pure racism.

Oh sure, the rabid (heretical) Christians are all slobbering over the chance to take over the schools and talk about Jesus all day- but it's Christian Nationalism they'll be preaching. White Christian Nationalism. How they saved the heathen Native Americans (infected them with diseases, waged war on them, slaughtered them whole sale, drove them from their lands, broke every treaty) and established a Shining City on the Hill - that White people rule. White men mostly. Straight white men.

Yeah, religious schools all the way - just don't expect to see any headed by a black preacher. Oh no. It's white folks all the way down. The only black folks you'll see are the ones with mops and maybe some serving in the cafeteria. Maybe a token house n***** (cough cough Clarence Thomas) but that's about it.

Black kids? Let them darkies start their own schools.

It's going to be a real pity that those rural white folks who'll feel so smug for sticking it the blacks (and liberals of course) are going to lose big time = because rural schools get lots of money from the DOE.

Don't get me started on the PBS/NPR funding. That's personal.
malada: Canadian flag text I stand with Canada (Default)
[personal profile] malada
So the Republicans have refused to release the Epstein files. Now, let's just assume that tRump isn't actually in there and was just visiting a good friend and dancing to bad disco songs.

You can stop laughing now.

The known list of Epstein's associates was vast. Royalty, wealthy folk, politicians, actors and musicians. Who's in there? Who are they protecting? Democrats? Bill and Hillary? Come on... if Billy boy was knee deep in under aged girls they'd be plastering that all over Fox News! If tRump isn't in the files...

... I said you can stop laughing now...

.. who is in there? Epstein had cameras, servers full of... stuff. Thumb drives. Loose hard drives. The FBI raided his house in Manhattan and his private island mansion and found lots of ... stuff. Let's wee what's on them, We have flight logs and witness statements. If the evidence exonerates tRump...

WOULD YOU STOP LAUGHING!

Who's being protected? While investigators, news persons and Congress dithers what pedophiles pedophiles are walking around free?

Because at the moment THEY are the ones laughing.

Europe 2025 Trip Report part 2

Jul. 15th, 2025 09:58 am
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The first day of my trip started at the end of May and finished in early June. It started with an overnight flight from Detroit to Paris. Hope springs eternal that one will sleep on the plane, but in fact I got perhaps 1-2 hours of bad half-sleep despite taking Ativan for my existential terror of flying, since according to my body clock the flight landed in Paris at about 1:30 am and I had recently gotten into the very problematic habit of staying up until 5 am or so. I think Joseph did a little bit better. So in Paris terms we arrived on time around 7:30 am and once we'd gotten our baggage and made it through border control (he sailed through, I ended up in a big line of people whose passport wouldn't work with the fancy new self-scanning system) it was still much too early. The plan was to take the high-speed train to the small village of Dolancourt in le Grand Est, but I had been too late making trip preparations, resulting in the earlier trains all being booked up. As a result we were stuck in Paris until 4:30 pm or so.

This turned out to be a case in which my error actually improved the trip. A month or so before the trip, I had happened to stumble upon the Web site for le Musée des Arts Forains (Museum of Fairground Art) and to my surprise, I saw that they had a salon carousel. To understand why this is important, you have to know something of my history as a carousel enthusiast. Though I was fascinated by them since I was a child, my most formative early influence was a coffee table book my father offered to buy for me when we saw it in the bookstore at Briarwood Mall when I was in high school: Fairground Art by Geoff Weedon and Richard Ward. I marked many pages of this book that had my favorite figures in it, and some of those bookmarks are still in my copy, which now is rabbit-chewed and falling apart. Unlike every other carousel coffee table book I have subsequently acquired, this one gives equal time to the American, British, and European carving shops. Most American carousel enthusiasts are only really familiar with the American carvers. Because of Weedon and Ward, I became an appreciator of European figures, particularly those of French manufacturer Gustav Bayol. Today, I own a single antique carousel figure: a small Bayol rabbit.

From Fairground Art, I also learned of the existence of salon carousels, and became fascinated by the idea of them, though I had never seen one nor hoped to. Salon carousels had a brief, glorious heyday in Europe around the end of the 19th century. They were ornate, often rococo-styled platform carousels (with the figures supported from underneath instead of hanging from an overhead mechanism on poles). They would have enormous, grandiose facades, adorned and flanked by carved figures. These would serve as doorways to an interior (I think it was most often actually a tent) in which one would find not just the carousel but a seating area, a bar, and other entertainments. Streamers and confetti would blow around inside. These amazing carousels actually traveled Europe, carted around by showmen. There are almost none extant today. I only knew of three, one of which I have now visited (at de Efteling in the Netherlands), though it is lacking its facade. I was shocked to discover a fourth I did not know about, at a private museum in Paris.

I was kicking myself because I had not planned us any time in Paris, since our destinations were in other parts of the country and I was trying to keep the trip relatively short for the sake of money and my garden. But the long layover presented the possibility: what if we visit the Musée des Arts Forains during that immense block of time we need to kill? It wouldn't be that far on the Metro from the train station we needed to get to anyway, and there is luggage storage at the train station.

So we decided that we may as well go be exhausted at the museum as in Gare de l'Est, and booked a timed tour (the only way to gain admission). The tour was in French (with a few English words thrown in here and there for the benefit of a few Americans and English people in the tour group) but they provided us with a booklet in English. That hardly mattered to me, though, because I really just wanted to see everything. Much of it I already knew about. There was stuff everywhere, much more than the tour actually covered. There were many French and German carousel figures (including a Bayol rabbit, cousin to mine but a larger model, hanging from the ceiling), and a lot of non-carousel carnival art too.

During the tour, we got to listen to an enormous dance-hall band organ, play a roll-a-ball horse-race carnival game (but an exceptionally large and beautiful one), and ride three carousels. One was a strange little platform carousel consisting almost entirely of gondolas (plus a couple of child-sized animal figures). I don't know what the story was behind it, but to me it appeared to be a home-grown construction made by putting together the gondolas from a lot of other carousels. The next was the much-anticipated salon carousel. They did not have the facade, at least not on display, though they had a vintage photograph of it. They did have the very large horse-and-rider statues that would have been put out front.

The final one was the biggest surprise of all. I gasped when I realized what I was seeing. I had seen a vintage photo of it (or one like it) in my book all those years ago, but I had no idea it was still extant, let alone that I would ever ride it. It was a velocipede carousel from 1897. Instead of horses, everyone sits on a bicycle. Instead of a steam engine, the power comes from everyone pedaling. We got to ride it, after being given some firm rules and warnings by the docent: children can't pedal, they can only sit in the passenger seats. The pedals are slippery (in fact they were round, metal pegs), so if you lose them, do not try to get them back, just put your feet up out of the way. The ride is fast, she said in English, but it is not comfortable. This was true, yet it was one of the best things I did on this trip. When she gave us the go ahead, the 12 or so adults in the group all began pedaling like maniacs. If you're familiar with Cedar Downs (racing derby carousel) at Cedar Point, it got at least that fast and I think probably faster, but with the added excitement of being on a precarious little bicycle seat. Near the end of our ride I did lose the pedals and immediately saw why you weren't supposed to try to get them back. Since everyone else is still pedaling and it's fixed gear, the pedals just continue going at full speed and if you try to put your foot back you just get whack-whack-whacked.

Sadly at the end of the tour the tour guide politely but firmly escorts everyone out and the gate gets closed behind you; there's no lingering to look at stuff as the next group comes in (though Joseph tried, which resulted in his missing out on the one chance we had all day to use a free bathroom). My exhaustion was beginning to creep up on me now, as it was around 3 pm which made it about 9 am on my body clock. We then had to navigate the altogether too many stairs involved in getting to the train station on the Metro, and then wait for a while in a station with far too few sitting areas. But eventually we were on the very fast train heading for le Grand Est and, ultimately, our hotel in Dolancourt.

I'll conclude this installment of my trip report there.


This figure may have originally ridden a carousel. Centaur figures were popular at one time.


Our tour group and our very energetic tour guide.


A European carousel horse – I think French but I am not that skilled at recognizing the different styles of European horses.


A Bayol rabbit!


The docent explaining how to play the roll-a-ball game. I needed no explanation, as I always loved these.




A 1970s roll-a-ball horse race game.


The odd gondola carousel. That mermaid figure would actually have originally been a carousel figure as like centaurs, mermaids were made by some carvers for a while.


A juvenile cat figure on the gondola carousel.


The British carver Spooner made a bunch of centaurs with the front end representing heroes of the Boer War (of all things). There is another centaur in this style at the Merry-Go-Round Museum in Sandusky, but they have restored it. The preference in Europe is generally to leave figures unrestored, which is definitely different from the American collectors' preference.


One of the gigantic figures flanking the entrance of the salon carousel.


The salon carousel.


The tour guide presenting the velocipede carousel.

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